Know those movies where the good guy saves the day with just a pair of pliers trying to decide which wire would stop the bomb from ticking away? Know why it’s always the red wire? And why do they always have only a few seconds away before the timer reaches zero yet still manage to run across the whole block before the bomb actually explodes? Know why do they prefer digital LED timers over the analog ones? And why do these villains give time for the good guys to defuse it?
I dunno either…
I could be the bomb (figuratively. maybe literally. Hah. I wish.), presenting tons of multi-colored wires that could make or break the whole supposedly action flick. And with just one wire to defuse the bomb, can the protagonist take the risk of blasting himself/herself to pieces by impulsively choosing his/her favorite color over the oh-so-obvious RED one?
Or I could be the good guy (Self-proclaimed good guy… nice.), who, after all the running-around-chasing-the-bad-guys-away-toting-heavy-arms thingy, ends up with just a common household tool, a pair of pliers, to save the day and get a medal of some sort afterwards. I just need a little help from the patriotism and nationalism department. A shrink would do in my case… one particular shrink.
Maybe I could also be the hero’s sidekick. Who always gets his butt whooped while the good guy’s throwing all his killer moves. Who always gets the second best girl in the movie, or worse, none. The character that’s considered as the walking joke, and manages to make the audience laugh even if he’s getting the time of his life being mugged. The one who makes sacrifices bigger than the Titanic (now how did that ship got in here?!). All for the sake of the main dude. In the end, he was the one who chickened out on the bomb and urged the hero to run like hell. Correct me if I’m wrong, but this never happens in the movies. Why? Because the sidekick got killed earlier by one of the bad guy’s cohorts, thus leading the hero in a fit of rage and starts trashing around their hideouts, killing every moving thing in sight. What if it was the leading lady who got killed… or if he caught her cheating on him, going out with the sidekick, and gets them both (she and the sidekick) killed eventually? Talk about twisting plots.
Or the villain maybe? Maybe I don’t want to right now… but sometimes (or most of the time) I do. I just want to go around killing people related to the hero, going on a joy-ride whilst using M-16s on people as if they were hair, and the guns being the CFC-type hairspray (I have something against CFCs, styros and people tearing them out). Yeah, that feels nice. Busting the living crap out of everyone just because you want to. The good guys will be onto you, who cares?! You’ve got enough firepower to create “judgement day” right in your own backyard.
I could be the timer…
Analog or Digital,
…I still count.
I found my own post too profound, I couldn’t even bring myself to a certain feeling of content.
—
I found the getting-over song I can sing all throughout the day yet still feel good somehow. Heard it over the radio while I was doing this entry. I don’t know if it’s the lyrics or the beat that got me…
IS SHE REALLY GOING OUT WITH HIM?
_Joe Jackson
Pretty women out walking with gorillas down my street
From my window I’m staring while my coffee grows cold
Look over there! (Where?)
There’s a lady that I used to know
She’s married now, or engaged, or something, so I am told
Is she really going out with him?
Is she really gonna take him home tonight?
Is she really going out with him?
‘Cause if my eyes don’t deceive me,
There’s something going wrong around here
Tonight’s the night when I go to all the parties down my street.
I wash my hair and I kid myself I look real smooth
Look over there! (Where?)
Here comes Jeanie with her new boyfriend
They say that looks don’t count for much
If so, there goes your proof
Is she really going out with him?
Is she really gonna take him home tonight?
Is she really going out with him?
‘Cause if my eyes don’t deceive me,
There’s something going wrong around here
But if looks could kill
There’s a man there who’s more down as dead.
Cause I’ve had my fill
Listen you, take your hands off her head
I get so mean around this scene
Is she really going out with him?
Is she really gonna take him home tonight?
Is she really going out with him?
‘Cause if my eyes don’t deceive me
There’s something going wrong around here
I therefore conclude that if you really want to get over someone, shift sounds to the 80’s. Sheesh.
Thoughts